Welcome to the "Creating Social Value through Design" blog.

Run in conjunction with Designmatters and the Product Design dept. At Art Center College of Design in Pasadena, CA, in partnership with Landívar University in Guatemala City.

The class, supported by a grant from the National Collegiate Inventors and Innovators Alliance, is focusing on developing ways to improve the quality of life for the Maya community around Lake Atitlán in Western Guatemala. The blog offers views into the thought processes and research of the students and instructors.

Specific topics of interest can be directly navigated to through the links on the right side.
For further information, click on "The Team" link for contact info and bios.

Thanks for reading!



Spring 2010 – Finals

Finally after 14 weeks of hard work, great projects were created. These projects that are all viewable from the tab “Project Proposals“.

The project was founded on local exploration and observation as well as advises from locals and business professionals. In other words, these proposals are based in reality.

What we’re proposing is ATITLAN AZUL, an initiative to engage and mobilize the whole Lake Atitlan community by co-creating principles, programs and products for sustainable life using the acute pollution problem as catalyst.

We’d like your recommendations on which project proposals have potential with regard to their cultural, commercial and environmental aspects.

These 6 projects take into account all stakeholders that are affected by the lake’s acute pollution problem. Here are somewhat irreverent caricatures of the stakeholders we’ve identified.

Congratulations to all of you. We know that this work will continue and have an impact in the near future.

Steve & Liliana, Instructors

Monica meeting

Some pictures of the meeting held today in conference with monica from Atitla Azul in Guatemala

From the Field | Lake AtitlĂĄn – Guatemala

“We all have the power to go and see and feel and share what we felt. When we do this we often say we’ve been moved.  Taken literally that implies starting in one place and ending up in another. It is the basis for all social change.”
Bill Shore, Founder, “Share our Strength.”

Tradition still holds sway over the contemporary mores and every-day logic of the western world in the diverse villages that make up the Lake Atitlán watershed in Guatemala.  It’s been roughly three weeks since our return from a week of field-research visits with the team of students and faculty of the current “Creating Social Value through Design” class, our first Designmatters project funded by the National Collegiate Inventors and Innovators Alliance (NCIIA) [http://nciia.org] a remarkable foundation that rewards social innovation and entrepreneurship efforts amongst a highly regarded cadre of academic institutions in the country.

Inspired by “Product Design for the Developing World,” a course led by our colleague Dr. Ken Pickar from the Mechanical Engineering Department at the California Institute of Technology [www.pickar.caltech.edu/me105/materials/eng-dev.html] in which students from Art Center and Rafael Landívar University (http://www.url.edu.gt/) have been participating for the past five years; this is the first true opportunity we have to bring that cross-disciplinary expertise into the studio setting of the Department of Product Design at Art Center with a project that is firmly anchored in a human-centered approach to design thinking with the leadership of principal Investigator Steve Montgomery (Graduate Industrial Design Faculty) and Liliana Becerra (Product Design Faculty), as well as teaching assistants Radhika Bhalla (Graduate Industrial Design) and Dice Yamaguchi (Product Design alumnus) and a series of expert advisors including Tony Luna, Guatemalan Anthropologist Luz Marina Delgado, and USC Marshall School of Business Adlai Wertman.

Following the Designmatters mandate, our ambition is to frame this educational experience with meaningful and participatory engagement at the local level, and in addition to our continuing the collaboration with the LandĂ­var students of Ovidio Morales, we are privileged to have partnered with the community development organization AsociaciĂłn Ati’t Ala‘ [http://www.atitala.org]in San Juan La Laguna, and their impressive Executive Director MĂłnica Berger, to seek opportunities for breakthrough change on several interrelated fronts.  Two key areas of investigation and ideation of the student work will address questions about product diversification and access to expanded markets for the local population (95% Mayan, predominantly Tz’utujil and Kaqchickel) whose spinning of cotton and weaving techniques can hark back to that of their millennial ancestors….Another important direction is to contribute strategy, branding and communication for the nascent “AtitlĂĄn Azul,” certification initiative, which addresses the environmental breakdown and dangerous bloom of cyanobacteria that is threatening the lake and the livelihood of its people (for a detailed account check Time Magazine’s article http://www.time.com/time/world/article/0,8599,1942501,00.html).

I have so treasured my time in Guatemala with the students—this is such a committed team. As I write this, ideation is going full force ahead in the class.  So is the process of innovation firmly underway: through that intrinsically optimistic design process that allows us to see and imagine the world not as it is, but as it could be—for the better.

Jon Week 6 Presentation

Download (PDF, 569.13KB)

Week 6 Presentation, S. Moore

Download (PDF, 1.78MB)

Tul para el lago

http://www.elperiodico.com.gt/es/20100221/portada/138764/

English web translation: (pardon the grammar and spelling mistakes)

Download (PDF, 186.75KB)

CYANOMAS BACTERIA ECO-GREEN FESTIVAL

TAKE A LOOK!!

http://www.elchiltepe.com/
2010/01/cyanomas-bacteria-
eco-green-festival.html

Concepts floating around in my head today

Seems to me that woven products are truly sustainable in a CRADLE TO CRADLE manner, especially if you get rid of the metal and plastic hardware. what new closure systems might there be? laces?

The lake is an incubator, a test bed, a microcosm of responsible commercial growth. It’s size is one that we can get our head around. Done right, we can effect change relatively quickly.

A new consumerism: people want to be connected to their products’ origins. Mass production strives to get each item exactly like every other item. Think custom, random designs, patterns.

Marketing: emphasize the high contrast of, say, an iSlate carried in 100% organic, handmade bag. Other products personalization (in fact, the perhaps the closes thing to homemade): man bags. still looking for a good one…

Gifts. Huge market. Soft goods pack really well.

Dance, music: wikipedia says not much known about the pre-columbian music and dance. Can we learn more, incorporate into tourism experience?

Speaking of tourism—just as we’re phasing out ‘branding’ because of its corporate associations, maybe we’d better lose the word ‘tourism’, too. Just can’t get the image of hundreds of baseball-cap wearing gringos debarking the cruise ship, never venturing beyond the dock where they’re buying Chinese-made tee-shirts—those are tourists, and many will pay to not be one of them.

Create a master list of all possible products that could be “made around the lake”: Pottery (that we know is glazed with something harmless), baby clothes, pet products ($42 billion dollar industry in US), 100% natural bags, backpack, purse, shirts, belts, shorts, shoes, socks, plush toys.

I keep seeing critters either woven or woven into fabric. What are they? Are they part of the lake’s theme? Towns’ theme?

I bought a lot of those woven wrist thingies (some apparently woven by a 4-year-old!) and have been giving them as gifts, telling the story of the lake. People really appreciate this, connect the wrist thingies to me, to the lake. A simple idea, but could there not be a campaign like lance armstrong LIVESTRONG bands? at least ours are organic.

And how do you tie those things? obviously not like this dweebish spectacle. cut strings?

Prioritizing Core Values (from Nathan Shedroff)

from Nathan Shedroff – Morning Keynote at INTERACTION 10
The opening keynote came with a message of why it’s important for us as designers to innovate. Drawing from his books Making Meaning and Design is the Problem, Nathan Shedroff approached the topic from the businesses point of view and provided insight on how our skills can help them. The goal of any business is to grow, but the only type of growth that leads to continued success is organic growth. Sure, you can rebrand easy few years, but after a while people catch on to what you’re doing. The key to ensuring lasting, organic growth is providing meaning to the people that use the products or services companies provide. Innovation is the means to providing this meaning.

Meaning comes in the shape and form of the experiences we are exposed to. Luckily for us, there are a finite number of core values that describe meaning, which Nathan describes as the following:

  • Accomplishment
  • Beauty
  • Community
  • Creation
  • Duty
  • Enlightenment
  • Freedom
  • Harmony
  • Justice
  • Oneness
  • Redemption
  • Security
  • Truth
  • Validation
  • Wonder

What makes something meaningful to one person over another is how people prioritize these core values. In order to understand how a particular group of people rank these values, it’s necessary to do a lot of qualitative research. By understanding this ranking, we are able to trigger meaning in the things we design and bring meaning to the work that we do.

The keynote wrapped up with Nathan describing how strategic design is looking for the overlap of meaning between a company, team, and customer base. If there is little to no overlap, than something is off: the wrong customers are being served or the wrong team is trying to do the job. All of these lead to the statement of “Consumerism isn’t dead, but it should be. It hasn’t served us well. But, we don’t know what to replace it with yet.” Interaction designers are poised to be the ones that come up with this new solution, as we have the models and research methods that serve us well.

http://johnnyholland.org/2010/02/06/live-at-interaction10-day-1/

Kinds of textiles and costs in the artesan association in San juan

75 women are divided in five groups.

  1. Urdidoras Group
  2. Foot loom group
  3. Waist loom Group
  4. Hammok Group
  5. Cut and tailoring gruoup

They don´t produce their own textiles, they buy the threads and make the products, but they are expensive so they can`t waste anything.
They also use new fibers like sedalina, they buy it in Solcaja and the cost per package is Q.155.00. When they use the foot loom they can even use up to 6 packages.
You can produce embroidery with the waist loom, but you can´t do it with the foot loom.
They also use other threads like Mish, Rio blanco (which is the most used) and Cantel. All of these cost around Q.210.00 per Package.
The most sold products are:

  • Scarfs
  • Bags
  • Place mats
  • Shirts
  • Jackets
  • Robes